This article is sponsored by the Ashridge Business School. Learn more about its new executive MBA program.
Hollywood filmmakers love good origin stories. Well, perhaps they might be interested in the origins of Ashridge Business School’s newest offering aimed at them and other creative professionals: the Executive MBA for the Creative Industries.
Ashridge Business School’s executive MBA beginnings
For over 50 years, Ashridge Business School has focused on educating working professionals. A pioneer of the part-time executive MBA, today the school is globally accredited by AMBA, EQUIS and AACSB. This is an honor shared by only 1% of programs globally. In addition to the executive MBA, the school also provides leadership development, working with over 6,000 managers annually from 850 different organizations with outposts in some five-dozen countries.
This year, Ashridge Business School is introducing a new program, which David Puttnam, a member of the school’s advisory board describes as, “In effect, the world’s first creative industries MBA.”
Puttnam sees creativity through a different lens than you might. As an independent producer, Puttnam oversaw production on Academy Award-winning films like The Killing Fields and Midnight Express. In the mid-1980s, he transitioned to CEO of Columbia Pictures. While many envision an erratic artiste driven by impulses and muses, the retired film producer’s views are more pragmatic. After decades working with and inspiring those in the creative industries, Puttnam views their work as disciplined, rigorous and even predictable. “Creativity is a muscle,” he says in an interview published on the school’s website, “a real muscle – you can exercise it and improve it constantly if you are thoughtful and intelligent and ambitious enough.” He feels the most important component in creativity is resilience.
He believes creative professionals’ experience in the last century is inadequate preparation for the current one’s demands. Exponential and often drastic, every industry disrupter or killer app leaves behind the unprepared who can’t cope with transition. “If you’d been a movie cameraman with one of those big, big cameras 30 years ago you could be reasonably sure that the piece of equipment you were working on would probably see you through your career,” Puttnam points out. “Since the creation of the digital camera, those changes are almost an annual event.” Today digital cameras, like the operating systems for cellphones, update regularly. Anyone hoping to succeed – or even survive – in a creative industry needs the skills to manage change.
Ashridge Business School’s Executive MBA for the Creative Industries is designed to prepare professionals for upcoming changes and help prepare them for corporate positions.



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